plumb & fathom (with sea change), created for the Blanton Museum of Art: Contemporary Project #11
2022, mixed media installation with copper tubing, furniture parts and casts of the artists /their family's hands. Hand dyed wool using plants and herbs involved in family-planning

plumb and fathom is inspired by the networks of care and solidarity that biological and chosen families provide each other. Its tubular pathways evoke the plumbing systems of domestic interiors and bodily anatomy, but its title’s dual meanings also suggest understanding and love. Both “plumb” and “fathom” suggest a process of comprehension through close examination. “Fathom” derives from an Old English word meaning “outstretched arms,” and while its noun form now describes a unit (roughly fingertip to fingertip) to measure the depth of water, it once meant to embrace someone in a hug.
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
detail from plumb & fathom (with sea change)

A line drawing in space, the sculptural installation connects a variety of objects—a young family member’s cast hand, a conch shell—that the artists consider symbols for family planning and parenting. Woven throughout the installation are the threads from sea change, a textile colored with natural dyes derived from plants and herbs, including those used to manage fertility. The color and choreography of the threads allude to the “green wave,” a phrase that refers to both the timing of a series of traffic lights to allow continuous traffic flow and to abortion-rights movements in the Americas. Resisting a literal interpretation, the artists open space for conversation about current topics involving migration, family planning, and political movements. As the tides of culture and politics shift, the artists center the idea that biological and chosen families and communities have always invented systems of care for each other.
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
detail from plumb & fathom (with sea change)
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
detail from plumb & fathom (with sea change)
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
detail from plumb & fathom (with sea change)

The installation’s playful structure recalls a bead maze, the ubiquitous baby toy, while also reflecting on the improvised workarounds of grassroot networks of support. By connecting disparate symbols, plumb and fathom visualizes complex constellations of relationships.
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
detail from plumb & fathom (with sea change)
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
fluff loomed & twin peaked

Casts of the artist's mother's hands display a hand embroidered and painted found blanket
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
fluff loomed & twin peaked
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS gouache and flashe on paper with collaged images
sea change / see change
gouache and flashe on paper with collaged images
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS gouache and flashe on paper with collaged images
sea change / see change
gouache and flashe on paper with collaged images
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS Custom Neon
Dar Luz
2022
Custom Neon

A tracing of our handwriting flashes DAMMITIMMAD, palindrome (a word, phrase, or sequence that reads the same backward as forward).
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
installation view: Every Force Evolves a Form
2017

Present Company, BK, NY
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
Chasing their Ponytails
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
Chasing their Ponytails (detail)
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
Chasing their Ponytails (detail)
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS
Avantgardener
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS detail featuring privacy screen, plexiglass, TV trays, artificial Weeping Fig, plaster, rock
Avantgardener (detail)
detail featuring privacy screen, plexiglass, TV trays, artificial Weeping Fig, plaster, rock
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS Flashe and ink on paper, 20 fake lemons
yes, we have no lemon no melon
Flashe and ink on paper, 20 fake lemons
45 x 36 inches
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS studio drop cloth on custom wood frame with handle
EK (closed)
studio drop cloth on custom wood frame with handle
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS  studio drop cloth on custom wood frame, misc. objects
EK (open)
studio drop cloth on custom wood frame, misc. objects
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS former ASU Art Museum temporary walls, fluorescent lighting, plaster casts of Lisa & Janelle’s hands, privacy screen, two-way mirror, rope, cast smart phones, mirror, string
N O I T S O P P O S I T I O N
2017
former ASU Art Museum temporary walls, fluorescent lighting, plaster casts of Lisa & Janelle’s hands, privacy screen, two-way mirror, rope, cast smart phones, mirror, string
14 x 8 x 5 ft

Photos by Craig Smith courtesy of ASU Art Museum
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS former ASU Art Museum temporary walls, fluorescent lighting, plaster casts of Lisa & Janelle’s hands, privacy screen, two-way mirror, rope, cast smart phones, mirror, string
N O I T S O P P O S I T I O N
2017
former ASU Art Museum temporary walls, fluorescent lighting, plaster casts of Lisa & Janelle’s hands, privacy screen, two-way mirror, rope, cast smart phones, mirror, string
14 x 8 x 5 ft

Photos by Craig Smith courtesy of ASU Art Museum
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS fiberglass pedestals, styrofoam coolers, paper pulp, latex paint
Mount Suspicious
2017
fiberglass pedestals, styrofoam coolers, paper pulp, latex paint
3 x 3 x 9 ft

Photos by Craig Smith courtesy of ASU Art Museum
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS Fiberglass pedestals, styrofoam coolers, paper pulp, latex paint
Mount Suspicious
2017
Fiberglass pedestals, styrofoam coolers, paper pulp, latex paint
3 x 3 x 9 ft

Photos by Craig Smith courtesy of ASU Art Museum
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS screenprints, laser cut acrylic sheets, magnets, vinyl
Every Force Evolves a Form
2017
screenprints, laser cut acrylic sheets, magnets, vinyl
each print approx. 22 x 30 in. (dimensions variable)

Photos by Craig Smith courtesy of ASU Art Museum
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS tent canopy, paper pulp, clay, plaster, magnets, acrylic paint, Pyrite, borax crystals on rocks, intentions, ceramic, vinyl, geodes
Force Field
2017
tent canopy, paper pulp, clay, plaster, magnets, acrylic paint, Pyrite, borax crystals on rocks, intentions, ceramic, vinyl, geodes
7 x 5.5 x 3 ft

Photos by Craig Smith courtesy of ASU Art Museum
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS

2017

Photos by Craig Smith courtesy of ASU Art Museum
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS Foor: Persistent Illusional, screenprint, ceramic, MDF, 52 x 38 x 8 in
Left: Horizon Tracking, Paper pulp on wood panel, acrylic paint, 12 x 12 in
2017
Foor: Persistent Illusional, screenprint, ceramic, MDF, 52 x 38 x 8 in

Photos by Craig Smith courtesy of ASU Art Museum
                                                                                      LAS HERMANAS IGLESIAS INSTALLATIONS